NICHOLAS BARASCH ON HIS ROLE IN ROUNDABOUT’S “PIRATES! THE PENZANCE MUSICAL.”
By Ron Fassler . . . In 1980, Gilbert and Sullivan’s comic opera The Pirates of Penzance was...
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Author: Eyal Solomon
“John Proctor is the Villain” but he’s not the only one in this furiously funny new play.
Review by Stuart Miller… A searingly funny look at how girls and women are treated on stage and in life.
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Ben Stanton Sheds Light On His Lighting Design For “Maybe Happy Ending”
By Meredith Heyman… Lighting designer Ben Staton discussed how lighting helps to tell this musical’s story and how he incorporated his design concept into the production’s high-tech set.
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The Siegel Column: Excellent, Okay, and Uh Oh!
By Barbara & Scott Siegel… A trio of reviews running the gamut of this season’s crop—from from ho-hum to hallelujah
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“Danger and Opportunity” Fills a Small Space with Big Ideas
Review by Ron Fassler . . . I wasn’t sure what to expect when the location of Ken Urban’s new...
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