Theater Review by Yani Perez . . . 

María Irene Fornés’ La Viuda returns to the stage in a new production by Dogteam Theatre Project at Atlantic Stage 2. Translated and directed by Olga Sanchez Saltveit, the play masterfully intertwines personal and political histories, presenting a compelling exploration of identity, memory, and resilience.

Jacob Joseph, Ethan Fleming, Jay Romero, Jesse Muñoz, Bri Beach, Fidel Vicioso, Jose-Maria Aguila, Katelyn Wenkoff, and Zack Maluccio

Set against the tumultuous backdrop of the Spanish-American War (1898), the play showcases narratives from the playwright’s family letters. Angela Martin, the protagonist, played by Jay Romero, has fled Cuba to Spain and is now fighting to regain her property and, most importantly, her dignity. Her husband, Francisco de Arenal, played by Jesse Muñoz, has disgraced her name, taking away her right to be a lawful widow after his death. After Francisco leaves her and their son after the differences between Angela’s father heightened and Angela flees Cuba, it appears he has wed again without legally divorcing Angela. He even has children from this new union. The rumors in her hometown and even in Spain have run rampant, and Angela refuses to look like a fool. She decides to sue for property rights and to maintain her reputation. The story unfolds through the use of letters. She corresponds back and forth with her lawyer, presenting her case and the actions she wants carried out. Through her letters, Angela’s struggle to protect her property and dignity in the face of exile and loss is vividly brought to life. Angela is overtaken by the need or obsession to uphold her legacy. 

Katelyn Wenkoff & Fidel Vicioso

The standout performance comes from Jay Romero, who plays Angela. Romero’s portrayal is stellar, capturing Angela’s strength and vulnerability with remarkable depth. He is engaging, and one finds oneself keeping eyes on him for the entirety of the show. 

The set design by Mark Evancho is another highlight, effectively transporting the audience to late 19th-century Cuba and Spain. The detailed environment on stage enriches the narrative, making Angela’s memories and experiences more tangible and impactful.

La Viuda is not just a play but a profound statement about the human condition and the importance of one’s legacy. It was skillfully executed by a talented cast and creative team. This production reaffirms Fornés’ place as a pioneering figure in theater.

La Viuda. Through August 4 at Atlantic Stage 2 (330 West 16th Street, between Eighth and Ninth Avenues). www.dogteam.org/la-viuda

Photos: Clinton Brandhagen