The Beyoncé
by Cathy Hammer Like its heroine Nadia, Eliza Bent’s new play The Beyoncé is...
Read MoreJul 31, 2018
by Cathy Hammer Like its heroine Nadia, Eliza Bent’s new play The Beyoncé is...
Read MoreJul 31, 2018
By Sandi Durell What more appropriate title for a show than Only From the Heart Can...
Read MoreJul 30, 2018
by Michael Bracken “A free woman of color.” It would have been an oxymoron in Mississippi in the early 1800’s, but not so in neighboring Louisiana, at least according to Marcus Gardley’s intriguing The House That...
Read MoreJul 29, 2018
By Myra Chanin The current revival of Comfort Women, A New Musical, is...
Read MoreJul 29, 2018
by Carole Di Tosti In ’68: A New American Musical part of the 15th annual New...
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